New York

James Rosenquist

Castelli Gallery

That James Rosenquist still entertains the possibility of creating a fully realized mural scale art (subsequent to his F-111 exhibited last year at the Metropolitan Museum) is once again evidenced by his recent showing at the Castelli Gallery of a new room-filling set of panels called Horse Blinders. The multi-partite work is composed of canvases sprayed and painted with giant photo-montage images and fragments of illusionistic texturing, and of intermediary aluminum corner sections, also partially covered with images. A brush of electrical cable wires, knotholed wood simulations, soupy marbleized atmosphere and cloudy purple or magenta blobs, as well as dissolving appliance parts, a melting lump of butter, and a rainbow finger make up the recognizable material of the panels, though the images themselves are certainly less discernible and more abstracted than those in the F-111 or in many

to keep reading

Artforum print subscribers have full access to this article. Please sign in below.

Not registered for Register here.

SUBSCRIBE NOW and save up to 65% off the newsstand price for full online access to this issue and our archive.

Order the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.