New York

John Hoyland

Elkon Gallery

The five paintings John Hoyland showed in his recent exhibition had a frankness of beauty, and a sensuousness to them, which made it immediately apparent that he had gone beyond his consistently accomplished level of achievement to something more profound. I don’t know Hoyland’s earlier work well, but of the relatively small number of paintings I have seen, I found myself impressed but also troubled by a certain dryness, and an awkward edge of constraint. I felt of his previous exhibition at the Elkon Gallery, for instance, that the paintings were enervated by a too calculated, intellectually manipulated channeling of what are obviously very urgent and deep coloristic impulses. The fact that Hoyland has looked closely at the work of painters as disparate as Rothko, Hofmann, and more recently I think, Olitski, partly accounts for this. That is, although it is to his clear advantage that he

Sign-in to keep reading

Artforum print subscribers have full access to this article. Please sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW and save up to 65% off the newsstand price for full online access to this issue and our archive.

Order the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.