reviews

  • William King

    Dintenfass Gallery

    In its most engaging exhibition of the season, the San Francisco Museum of Art, leading off the itinerary of a traveling show organized by the Dintenfass Gallery of New York, presented a new series of 14 sculptural constructions by William King. In these works King turns radically away from his former style—the fragile, attenuated figures clearly embodying a classical European heritage transmitted through Giacometti, which King first realized in traditional bronze casting and later translated into amalgams of cloth, polymers and other contemporary “soft” sculptural media—to a fresh and invigorating

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  • Richards Ruben

    Dintenfass Gallery

    In an adjacent corridor, mixed media drawings (crayon, oil and oil-pastel on paper) by Richards Ruben featured stylistically manipulated studies of the nude female figure in which erogenous anatomy and erotic gesture provided the dominant motifs for highly intellectualized graphic variations including much double entendre in terms of dormant images and “field-transpositional” dual readabilities. An obvious preoccupation with the optics and dynamics of surface patterning, both in the schematic (and primarily linear and attentive) distribution of a sparsely applied, limited selection of colors,

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