new-york

Joseph Kosuth

Castelli Gallery

One of the things that Conceptual art reminds us is that contemporary artists tend to read a lot. If Joseph Kosuth had been honest enough simply to exhibit his summer reading list as his latest work, I might have been amused; it might have been a clever, if trivial, political gesture. But he didn’t stop at that.

His show looked like this: toward the end of the gallery was a large square table with four chairs each at three sides of it. In front of each chair on the table was a black looseleaf notebook; the first row of notebooks was marked “A” and numbered one through four, the second row marked “B,” one through four, and the third row “C,” numbered likewise. Each notebook contained eight pages of text numbered, e.g., “1.1–1.8” in the first notebook in each row, “2.1–2.8” in the second book in the row, and so on. On the wall opposite each row of chairs (and books) were eight identical clocks

Sign-in to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW for only $50 a year—65% off the newsstand price—and get the print magazine plus full online access to this issue and our archive.*

Order the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.