The four artists at Fischbach are concerned with very humanistic notions, and they are making straight, serious, and ungimmicked approaches to their various subjects. Yvonne Jacquette’s painting approach is probably the most abstract of the four. Her upwardly angled views into the underbellies of movie marquees and the blue sky beyond have a compositional stringency that is reminiscent of a classic Mondrian painting. The marquee whether unlighted or partially lit at dusk, reads as a large flat squarish form filling the upper left. It is balanced by incident at the right and bottom of the field