• Ruth Vollmer

    Everson Museum of Art

    In the exhibition “Ruth Vollmer, Painting and Sculpture, 1962–74,” there is nothing that I would characterize as painting, and very little that sustains itself as sculpture. As Sol LeWitt has written about Vollmer’s work: “These pieces are not sculpture; they are ideas made into solid forms.” This suggests the predicament of Vollmer’s work, which is that regardless of how tangible the work becomes, it is always the ideas which remain the most substantial present part of the work. The exhibition, which is spaciously, almost casually installed (many drawings are simply pushpinned directly onto

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