New York

Jean Dupuy

The Kitchen and 112 Greene Street

Jean Dupuy’s two installations deal with what in a more resolutely Christian era would have been called the two aspects of marriage—the sacred and profane. Dupuy installed I & J at The Kitchen shortly before he produced Soup and Tart, an evening of artists’ performances there. “I” & “J” (referring to Jean and Irene, his former wife) is spelled out in grommets on a canvas screen. Through them a large screen with a video monitor inserted in it at lower right is visible. Graphic grainy stills of a couple making love and masturbating are projected on the screen, stills taken from the videotape on the monitor. The improvident references to Duchamp’s Etant Donnés are mitigated by the more specific act of voyeurism Dupuy enjoins upon the spectator who is witness to the retrieval of past carnalities.

Is She Pregnant?, the other half of Dupuy’s classical pair, is based in Van Eyck’s Arnolfini wedding

Sign-in to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW for only $50 a year—65% off the newsstand price—and receive the print magazine plus full online access to this issue and our archive.*

Order the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.