New York

Carolee Thea

14 Sculptors

It is the viewer who is the performer in Carolee Thea's work. A maze bounded in hardware cloth and barbed wire extends from floor to ceiling in the center of the gallery. Black curtains block the street world outside. And an amplified metronome steadily beats the measure of time. In the back Thea sits, knitting. An allusion to Ariadne guiding Theseus out of the labyrinth with her ball of thread. Less symbolically, the observer, watching the viewer proceed on the stage. Perhaps a reference to the impassive spectator detachedly noting the fall of a guillotine. But to return to the maze. A confrontation? The choice is left open. One can walk around, outside, peering into the cage. Or one can enter, treading along the narrow corridors, looking out through the fences of barbed wire. The sense of a concentration camp? Yet somewhere the potential immediacy of experience dissipates. Is it that I

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