San Francisco/Berkeley

Sam Francis

Smith-Anderson Gallery

Sam Francis? He’s different. A very good painter but not a painter’s painter. No cross to bear. How he gets away with it year after year is something (he never gets slick). How can he move with modernist painting all the way from the West Coast (he left the center for the edges and now is back inside the arena again)?

The new paintings (untitled) are on canvas and paper; the small ones (Mandalas) on paper have rectangular solids smack in the center, emphasizing the shape of the paper. They are simple—the best in the show. Francis continues the wide water swatches with those impossible colors bleeding all over and splashes and staining. Still, who can help but think of Monet? (Nostalgia: the solitary painter painting out his dream.) It’s perfect painting for reading in all those formal goodies or just nibbling on the bonbons; it’s heavy or light weight, whatever you prefer. It’s clean, but

Sign-in to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW for only $50 a year—65% off the newsstand price—and receive the print magazine plus full online access to this issue and our archive.*

Order the PRINT EDITION of the Summer 1975 issue for $17 or the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.