Joel Shapiro

Paula Cooper Gallery | 529 West 21st Street

The five sculptures in Joel Shapiro’s previous exhibition often functioned as tiny points upon which pivoted enormous volumes of empty space. His recent show contained 18 sculptures. This immediately suggests a change: space is now drawn more closely toward, and into, his sculpture than before. The new pieces encompass interior space in many different ways; it is implied, partially glimpsed or openly displayed. They seem larger in size, and some of them really are, but mainly the scale is clearer, which makes them appear bigger. The piece in his previous exhibition most involved with interior space was a house at the end of a bar (all cast iron) on a wood shelf mounted perpendicular to the wall. The house, like some of Cézanne’s, had inverse perspective; the end toward the wall was larger than the end facing the viewer. This strange warp suggested that Shapiro preferred to exclude us from

to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for Register here.

SUBSCRIBE NOW for only $50 a year—65% off the newsstand price—and get the print magazine plus full online access to this issue and our archive.*

Order the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.