The overwhelming feeling, upon entering the room that Luciano Fabro has constructed, is of having ended up in a pit: there are hidden openings; Fabro makes apparent the relativity of one’s viewpoint within the space by emphasizing a dimension of architectural equilibrium and by limiting as much as possible the expressiveness of any visual elements. Fabro has maintained the conceptual character of his past work; but this room is even more abstract because the source of the image is external. In this piece Fabro has constructed the theorem of the polemic now being debated in Italy about the visual