The artists of the last decade have seen to it that the younger generation of artists no longer needs to accept the purely material recognizability of works as a criterion for art. Freedom of medium, openness beyond the conventional boundaries of the arts, even freedom from style in the conventional sense are self-evident. The return to painting noted everywhere is something other than a return to the old limitations. Yet the current predominance of trend-setting results in the creation of tidy categories into which artists, even allegedly anarchistic artists, resignedly must fit. All the more