New York

Hanne Tierney

Rosa Esman Gallery

Marionettes, probably the most tradition-bound of the performance arts, were updated in this engaging display by Hanne Tierney. The gallery space was totally commandeered by the various-shaped puppets, which were supported by a fully visible system of strings and pulleys. These 3-D characters included not only organic, all-of-a-piece clothed figures, but also assemblages of things—a Venetian blind, ties on hangers, a pair of pants. Visitors were invited to interact with them, to make them move; and Tierney put on two performances in which the highly expressionistic marionettes played specific roles. The one seen by this reviewer was a sex-and-crime melodrama involving a Brooklyn policeman, and commenting on the alienated aspects of urban life.

Using only minimal audio effects, Tierney concentrates attention on the puppets’ gestural movements to create character and ambience. When so

Sign-in to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW for only $50 a year—65% off the newsstand price—and get the print magazine plus full online access to this issue and our archive.*

Order the PRINT EDITION of the April 1982 issue for $17 or the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.