new-york

Judy Rifka

Brooke Alexander

An urge to join the real, basically figurative world to the esthetic demands of abstraction is evident in Judy Rifka’s recent works. All have hybrid forms; these are paintings that are also constructions, built of panels layered out, or projecting from supporting walls. And all have multiple forms, with fields of pink, aqua, and bright orange-red inter-cut by raw canvas shapes. Confettilike dots punctuate the surfaces, further animated by Rifka’s characteristic quirky lines. But most important are her characters—a veritable New York cast. Most step out of the rock clubs; there are dancers, drummers, posers. And many are femmes fatales—racy ladies with high-heeled shoes, who strut their stuff and perform. These figures run and jump, cavorting across the canvas, or swoop in from the wings—from offstage, “real” terrain. And while some are punk priestesses, still others are graffiti guerrillières

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