reviews

  • “Vision In Disbelief,” the 4th Sydney Biennale

    Various Venues

    “Vision In Disbelief,” the title of the 4th Sydney Biennale, has a tone reminiscent of the ’50s: “vision” is romantic; “disbelief” hints at cynicism. The Biennale, the biggest and most comprehensive Australian exhibition of recent art—including painting, performance, sculpture, film, video, music, installation, and photography—was all of this and more.

    Work by over 200 artists from Europe, North America, New Zealand, Japan, South America, and Australia was intended to survey what’s going on at present. The differences between the artists were largely glossed over, however, and the emergent theme

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