All periods from Meret Oppenheim’s career were represented here—paintings, sculptures, and compositions of objects spanning the period from the ’30s to the present were arranged in a mix that didn’t so much follow a chronological order as emphasize the characteristics of the works. In fact, Oppenheim’s body of work does not appear divided into recognizable periods; rather, there is a single period, faceted like a gem. Youth and maturity do not seem to follow progressively, but coexist like the right and left hands of a single body. At any moment they can fold around each other, becoming