• Dieter Roth

    Museum of Contemporary Art Chicago (MCA Chicago)

    The visual and acoustic spill of this installation was overwhelming, an excessive realization of horror vacui modeled like an illustrated book with many pages (more than 80 drawings, paintings, and prints) and many texts (over 70 books). The influence of Dieter Roth’s background in typography and design and his association with Nouveau Réalisme and Fluxus, references to Duchampian notions of chance and to Kurt Schwitters’ “Merz” collections and Dada manifestations—all these can be read into and filtered out of this work. Yet its historical and stylistic connections, and even the legacy of the

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