reviews

  • Michelangelo Pistoletto

    Forte di Belvedere

    Michelangelo Pistoletto was formed as an artist at the start of the ’60s, and, in keeping with the culture of the time, he understood form as merely that which was perceived. It was there, contingent, immediate; it was not metaphysical or absolute but simply what one saw at the moment of exhibition. Pistoletto went on to create his mirror works—objects of the clearest and most refined design, objects of total comprehension, but objects that also constituted a radical gesture. While the happenings, the Fluxus works and those of Yves Klein and Piero Manzoni, and the various Popisms were expressing

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