With this enormous exhibition of painting, sculpture, photography, and works on paper by over 60 artists from the United States and seven European countries, the Bay Area’s major Modern art museum boldly (and belatedly) acknowledged the international resurgence of expressionism and figuration. The idea of the “human condition” offered a brilliantly apt organizing concept within which to focus on the psychological, social, and political statements pervasive in current art, but the broad theme, and the loose interpretation given it by the show’s curator (and the museum’s director), Henry Hopkins,