Joel Fisher’s linked drawings and sculptures subtly explore an area of the exhibition space between the second and third dimensions. The work can be comprehended logically up to a certain point. but then something snaps, and unfathomable reaches of space open up for interpretation. Fisher’s severe conceptual compositional modes do not restrict perception, then, but establish fixed points, rules of the game, within which viewers can embark on their own expeditions. In one section of this show, the rules were directly illustrated by the confrontation of four sculptures with the drawings from which