The most noticeable characteristic of the photographs of the German photographer and painter Gunther Förg is that they connect the Post-Modernist idiom with a strong, almost humanist, emotional concern. The human condition in the time after the overthrow of Babylon is intensely observed in his photographs. Locked up in a labyrinth from which there seems no escape, man wanders about in a state of melancholy This desperate post-Babylonian atmosphere is softened only through the communication, made possible by the strongly reflective glass covering the photographs, that connects the viewer directly