When is a Mexican-American artist who makes paintings on walls not a muralist and why is Peter Plagens saying those terrible things about him? These were two of the questions examined in a convoluted cross-examination of painter/performance artist Gronk (Glugio Gronk Nicandro) during his performance Morning Becomes Electricity, 1985. The piece, written and performed by Gronk and James Bucalo, was actually a retrospective of Gronk’s work in the form of a trial in which his paintings, performances, and characters were placed on the stand and accused of committing “crimes” against art. The set