Since the sculptors Irene Droogleevar Fortuyn and Robert O’Brien began their collaboration, in 1983, under the logo Fortuyn/O’Brien, they have designed sculptures that could very accurately be called Post-Modern. On the basis of an ambitious as well as simple program, to which the concept of a domestic art is central, they make sculptures that, in their modishness, can compete with Post-Modern interior furnishings. In consciously exploiting the banal, they hope to expose the roots of art. In this they are posing as Post-Modern dandies, as the mediators of a contemporary spirit that has placed