In the mid ’70s Joyce Kozloff’s name was synonymous with the Pattern and Decoration movement. P & D threw down the gauntlet to Minimalist austerity; however, within the kaleidescopic progressions of the Post-Modernist art world, it was rapidly subsumed, accepted as another branch within the pluralistic thicket. For Kozloff, the flourishing of that shoot lay in the arena of public art, a logical extension for an artist who had progressed from painting, through an exploration of printmaking and craft forms, to an ever more encompassing multimedia environmental art. Between 1979 and 1985 she