This exhibition of Gilberto Zorio’s work united older and newer pieces, but not in the manner of a retrospective. The show was not concerned with a respectful backward glance at established works, but with their manifestation in the present. Yet however well an individual piece may work on its own, here it always had a relationship to its predecessors and descendants. This was not just a consequence of the show’s well-conceived installation, which seemed in and of itself a work of art that incorporated and transcended the individual works.

This structural cohesiveness at the level of installation