Matt Mullican’s work resembles a semiological catalogue of the entire spectrum of knowledge. Through the use of a wide variety of materials and techniques, such as rubbings, stained glass, etched granite, banners, and posters, as well as a highly personal vocabulary of signs and symbols, Mullican is able to chart a uniquely systematic cosmology, whereby such metaphysical intangibles as life, death, fate, God, and hell are reduced to a form of archetypal visual language. Symbols are used self-reflexively, so that the individual can establish a symbiotic relationship with the broader cosmic