In Harald Klingelhöller’s show here, sculpture was introduced with quotation marks—literally. These were two angular, mirror-covered floor pieces, volumetric forms resembling single quotation marks (like irregular pyramids with quotation-mark-shaped bases, laid sideways). These “quotation marks” introduced or articulated two clusters of cardboard-and-steel elements as a relation of forms in space. Each mirrored piece reflected and developed the other pieces and the physical space around them. Space as a mental reality is a linguistic syntagma, while as a physical reality here it was a flattened