reviews

  • Shirley Wiitasalo

    Art Gallery of Ontario

    Shirley Wiitasalo came into her own as a New Image painter in the ’70s. At the time, formalism was a decade past its prime and, according to many in the art world, painting was dead. Shunning the formalist approach, Wiitasalo and others set about transposing issues like two-dimensionality and objecthood into ironic images and pursuing a type of painting based on a representational visual language and a more intimate scale. It was clever, educated, and casual, and underscored a resurgence of improvisational subjectivity.

    Wiitasalo’s earlier work was not included in this midcareer retrospective (

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