• Rivka Rinn

    Galleria Mazzocchi

    In our century, the connection between new art and the traditions that have preceded it implies the Picasso model, by which an artist appropriates the most varied techniques, incorporates the most disparate objects and elements, cultivates stylistic discontinuity, and pursues a nomadism of the imagination and experience. Yet, despite such a heterogeneous approach, a characteristic “something” persisted in the work of each artist who followed that model. It may be a particular kind of motif that, for most post-Picasso artists, has signified “form,” in the noblest sense attributed to this word by

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