Wynn Ragland’s recent work comprises a series of color photographs that have been transferred to Cibachrome by a computer mapping process. All five works use the saturated color of early abstraction and sometimes pointedly refer to the abstract styles of the ’20s. The pieces are large (3 by 5 feet and 4 by 5 feet) and combine abstract and figural elements. Ragland imports images into a computer from the media or from life as seen through a video camera, then manipulates them and prints the result from a transparency produced by a dot matrix camera. In some cases, the result is balanced and