At the center of this exhibition was a large wooden construction titled An Incomplete Map of Limbo, 1988—three open-ended, rectangular plywood boxes coated in a flat, nondescript house paint. A paint line still shows where the wood has been joined together. Once-functional nails protrude needlessly and somewhat menacingly from a few of the boxes, which are joined roughly with strips of unpainted lumber and pieces of a wooden crate. The whole contraption was hung from the ceiling by heavy wires, touching the gallery floor at one end and arcing improbably across the room. The piece demonstrates