• Nam June Paik


    Since Nam June Paik is generally regarded as the father of video art, most observers misread his work as deriving from a fascination with TV and technology, with the flickering, glimmering image on the tube, and with the ubiquity of the camera. Yet Paik’s fascination goes hand in hand with a deep skepticism towards technology and the mass media—something few people realize, even though Paik himself has spoken about the way his objects ridicule technology. Several of his pieces allow two traditions, two completely opposite philosophies of life, to collide with each other: the Western tradition,

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