Robert Glaubit is a painter as well as a photographer. Throughout his career he has explored the possibilities that lie in the combination of both media. As with his earlier work , these pieces may be read as a commentary on the ever continuing dialogue between painting and photography. Informal snapshots, which form an integra l part of Glaubit’s program, serve as the frozen mementos of past events. More often than not, they act as substitutes for the real in our memories. Painting, on the other hand, is believed to be of a different nature. It is meant to visualize the distant regions that