• Norie Sato

    Elizabeth Leach Gallery

    Norie Sato creates sophisticated analytic essays on how meaning gets engineered. She treats the visual field as a fluid system, examining how it differentiates itself, organically, into the crucial factors and forces that characterize it at any given moment. Her huge drawings, mixed-media glass sculptures, and computer graphics all display sometimes autonomous, sometimes interacting forces coinciding and colliding with each other within a single ecosystem.

    The most distinctively analytic (and restrained) of these are her prints from the “In the Blue Glow Suite” series, 1989. In each, Sato employs

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