In the last four or five years, a whole new group of Danish sculptors has emerged on the Scandinavian art scene. “Ytkraft—Ung dansk skulptur” (Surface power—Young Danish sculpture) is a group show exhibiting eight of the most prominent members of this new generation. Perhaps the most characteristic feature of their work is that it neither seeks a further expansion of the sculptural field nor tries to break down the barrier between art and life. Its originality resides, instead, in an effort to destabilize the classical and modernist conceptions of sculpture from within. The work, not its relation