new-york

Andreas Gursky

303 Gallery

Like Jaschi Klein, Andreas Gursky shows us the figure in space, but the effect is radically different. First, the balance between figure and space is sharply altered, the figure being a relatively minute speck within a vast, almost indeterminate space. Second, the space is not turned into a stage, that is, a support for the figures, a place to show them off to expressive advantage; rather, it exists as an absolute. It is transparent, even lucid in quality; it is not enlisted in the service of mood. Third, it is still noticeably an everyday space, rather than Klein’s enigmatic one, which seems to live in a magician’s hat. Fourth, it is at the same time clearly constructed, invented, abstract. It has none of the voluptuousness of Klein’s all-too-material space.

Gursky’s Ruhrtal (Ruhr valley, 1989) represents space by “focusing” it within an internal frame composed of a horizontal bridge,

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