• Group Material, Aids Timeline

    University Art Museum

    In AIDS Timeline, 1989, the artists’ collective Group Material helped to clarify what Paula A. Treichler has called elsewhere “an epidemiology of signification.” Here were itemized samplings from the convergent swirls of nomenclature, image management, political ur-texts, and sheer numbers that continue to make a mess of people’s perceptions of the AIDS crisis. About AIDS there can be no dispassionate informants. An artistic attitude, such as Group Material made operative in its installation, can take up accretions of topical data and straighten them out—handily, pointedly, albeit provisionally.

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