• William Klein

    Zabriskie Gallery | Paris

    Like memory, travel, or speaking a foreign language, black and white photographs impose a certain ironic distance on experience. In the work of William Klein, this inherent irony assumes the weight of style. During the mid ’50s Klein led a singular assault on the etiquette of street photography; armed with a wide-angle lens and an open flash, he produced a book of crowded, grainy, shifting, and/or distorted images of New York City, published under the uncommon title, Life is Good and Good for You in New York: Trance Witness Revels, 1956. The occasion was Klein’s first (and clearly combative)

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