Stylistically, Eva Löfdahl is something of a chameleon. In the beginning of the ’80s her works were rough, ironic, fragmentary, and provocative. Soon she turned to more sophisticated expressions. In 1983 she began making a series of seemingly neoconstructivist object paintings. These very reduced, almost minimal pieces hovered between figuration and abstraction. In 1986 she created a number of black-and-white drip paintings, exploring a more spontaneous or informal idiom. The following year she expanded that investigation to comprise three-dimensional boxlike objects covered with splashes of