• René de Guzman


    Reiterating the critical gambit of Robert Smithson’s celebrated “nonsites,” René de Guzman fills Plexiglas boxes with organic material including fluids, hair, dried sponges and weeds. De Guzman views his handling of solid geometry as a critical invasion of the theoretically inviolate interior spaces of Minimal sculpture. Both artists redress the Minimalist legacy, yet they play the gambit in very disparate emotional keys.

    The decorative and elegiac quality of de Guzman’s objects would have been anathema to Smithson. Where Smithson wanted to purge sculpture of its residual human reference and

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