The structures that Per Barclay exhibited were presented as sparse elements in an abstract landscape. One wandered among them as if in an ambiguous garden without center, where decorative details could be multiplied to infinity. In this rarefied space, all routes are really equivalent; there is neither entrance nor exit. The prevailing reference point seems to be that of a pallid science fiction that describes an alien world without judging it. The structure in the center room had a cold luminosity; two rectangular glass basins, nestled one within the other, rested on a thin wooden base. Both