New York

Claudia Hart

Pat Hearn Gallery

Claudia Hart takes Jean-Jacques Rousseau, historian, playwright, social critic, and Romantic par excellence, as the subject matter for her show. Three separate titles: “Brief Lives, Part 1” “Chance and Circumstance/1” and “The Contingency of Selfhood,” explicitly open the cultural Pandora’s box of Romanticism. Intended as the first in a series of exhibits dealing with the topic, this show opens up the dialogue surrounding the theoretical foundations on which both contemporary and historical art are based. Romanticism, as a response to the post-Cartesian disjunction of a free moral mind, and a nonfree body, subject to the deterministic rules of science, celebrated art as a revealer of truth. Opposed to the restrictive analytical reason associated with the Enlightenment, Romantic thinkers and artists sought refuge in the unifying force of intuitive perception. Hart’s exhibition draws attention

Sign-in to keep reading

Artforum print subscribers have full access to this article. If you are a subscriber, sign in below.

Not registered for artforum.com? Register here.

SUBSCRIBE NOW for only $50 a year—65% off the newsstand price—and receive the print magazine plus full online access to this issue and our archive.*

Order the ONLINE EDITION for $5.99.

* This rate applies to U.S. domestic subscriptions.