• Francesc Torres

    Capp Street Project/AVT

    At the center of Francesc Torres’ new installation, Destiny, Entropy, and Junk, 1990, a ten-minute, fuguelike videotape projection was beamed from above onto a nineby-eighteen-foot patch of salt on the main gallery floor. Surrounding the highly reflective, makeshift screen sat seven luxury cars—a Jaguar, a Cadillac, a BMW, a Corvette, and so on—all exhibiting varying degrees of front-end-collision damage. Torres borrowed the sedans from a local AAA garage for the duration of the show (fittingly, the Capp Street building is an ex–body shop). Next to the cars stood shiny steel showroom display

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