The critique of subjectivity, which constituted a major artistic problematic during the ’80s—continues to yield interesting results. A central concern within postfeminist discourse is the degree of latitude for resistance to a subject formation conditioned by a predominantly male order. Must a refusal to comply always lead to illness or “perversion” (schizophrenia, sadomasochism, anorexia, homosexuality)? Or are there more “constructive” ways in which the resistance to patriarchy could manifest itself? How is the secret violence of language to be avoided? What exists in the space between subject