This exhibition of Johan Muyle’s rotating, blinking, and tinkling works would have fascinated and entertained children. Between the individual works stuffed animals tumbled about, giving the entire scene a macabre atmosphere. A monkey surrounded by ivy extended his arm to beg; two Pomeranians played with each other in a baby carriage. Each work seemed to transport the viewer back to a time of individual mythologies and surrealistic games. A strange combination of devotional objects, sawed-up furniture, and tin cans created this time warp, which, with its tendency toward private mysticism, harkened