• Linnea Glatt and Frances Merritt Thompson

    Museum of Art

    Architectural sculptor Linnea Glatt and photocollagist Frances Merritt Thompson’s collaboration, Expose, Acknowledge, Reconcile, 1989, consists of two drywall structures that run the length of the gallery, inset with a series of slatted, wooden screens that can be opened by the viewer to reveal backlit transparencies. Two rows of elegant, if not quite comfortable, double-sided plywood chairs run down the center of the installation.

    Filling the entire windows, Thompson’s Duratrans photocollages achieve a cinematic presence. They combine such images as a human fetus with a medieval map of the solar

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