New York

Richard Artschwager

Leo Castelli

Richard Artschwager has been making Formica sing for years, not only since materials with no “integrity” were deemed classy. As usual, in this recent show the enigmatic and elegantly geeky Artschwager message was uttered through a wide variety of formats: a “mirror,” a “window” (both opaque Formica), and various pictures. An amputee cellolike “instrument,” leaning against a corner for support, was a true Beckett object; it was so round and bottom heavy it looked incapable of supporting itself and impossible to move. Another work consisted of a very heavy wooden door leaning back at a dangerous angle; built to suggest a perspectival vanishing point, it needed the support of the corner it rested in. Neither functional nor free-standing, the door seemed to invite entry to some dysfunctional wonderland. In the midst of this droll synthetic milieu of Formica and fiber bits, the repressed animal

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