• Ilya Kabakov

    Galerie Pakesch

    The viewer as marksman, the show as a rifle range, the paintings as targets? This may be a rash response to this installation entitled Die Zielscheiben (The targets, 1991) by Ilya Kabakov, where he has spread rocks, crumpled newspapers, and wooden cudgels as weapons on the floor. A few shards are already in the paintings, the “targets.” However, Kabakov does not want this installation to seem all that clear-cut—for it to be taken simply as a banal civil-war scenario or as a dissident barricade against the perestroika stormers. This is an internal esthetic matter, i.e., iconoclasm, the storming

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