“Abbassamento” (Lowering), the title of this show of Liliana Moro’s work, focuses attention on the actual depletion of energy that pervades contemporary ideas, behavior, and aspirations. But Moro’s work removes itself from the idea of critical commentary on the times and instead emphasizes the desire for a change from below, looking skyward without denying earthbound roots. At the same time, she doesn’t fall into the trap of lamenting that it is no longer possible to invent anything new, or to escape the asphyxiating space of modernity. History has not ended; what has ended is historical