To enter and exit this exhibition one had to pass through two swinging glass doors, dyed a deep-blue with ink from a ballpoint pen. The doors symbolically demarcated a room containing a wide range of colors from red-violet to silver, all in Jan Fabre’s signature style—ballpoint ink. Besides paper, Fabre has used wood, satin, or even buildings as the surface for his “drawings.” His process is borrowed from everyday life—from idle scribbling on scraps of paper, or in telephone books, etc. But Fabre’s process becomes one of conquest, in which he makes the chosen objects of his drawings